{"id":673,"date":"2020-06-21T18:00:00","date_gmt":"2020-06-21T16:00:00","guid":{"rendered":"https:\/\/michalhejna.cz\/blog\/?p=673"},"modified":"2020-06-30T14:39:48","modified_gmt":"2020-06-30T12:39:48","slug":"mounting-photos-paspartovani-fotografii","status":"publish","type":"post","link":"https:\/\/michalhejna.cz\/blog\/2020\/06\/21\/mounting-photos-paspartovani-fotografii\/","title":{"rendered":"Mounting photos \/ Paspartov\u00e1n\u00ed fotografi\u00ed"},"content":{"rendered":"\n

First of all, the important question: why photographs should be mounted and even framed? The answer is simple: the right mounting techniques protect art from acidic conditions. A well-designed combination of mount and frame forms part of the visual expression of a displayed photo, separating it from its surroundings and giving it more visual weight.<\/p>\n\n\n\n

For me, a printed photo is not the final product. The properly mounted image works better not only hung on the wall but also when viewed in the observer’s hands.<\/p>\n\n\n\n

We wrote with photographer Petr Pazour<\/a> on another website about our first experiences with mounting photos<\/a>. Today I want to say a few words about how I personally dealt with mounting my first Artist Proof prints of selected photographs from the cycle Landscapes of Imagination<\/a>.<\/p>\n\n\n\n

My goal has been to use certified museum materials for the whole process, which are gentle on works of art and guarantee a long life. They are usually made of cotton, non-acidic papers and PH neutral adhesives.<\/p>\n\n\n\n

The Artist Proofs are printed on Hahnem\u00fchle Photo Rag Ultra Smooth<\/a> paper, which is made of 100% cotton without acids and lignin. The paper conforms to ISO 9706, printed on an Epson SureColor SC-P9500 printer with UltraChrome PRO12 inks.<\/p>\n\n\n\n

Nielsen Teichert MSK Natur<\/a> 2.6 mm natural white museum cardboard is used around the image. Under the mount, the photo is attached with Lineco corners to the back of archive-quality Nielsen cardboard. Everything is held together with double-sided PH neutral Henzo adhesive tape along the edges outside the photo area. This solution allows you to remove the photo from the mount without any damage.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

All photos are signed. In the lower-right corner is my signature and a year of photo creation, in the lower-left corner is the AP I\/II<\/strong> mark. This means that this is an Artist Proof<\/a> print. The print has the serial number one. At the same time, I\/II mark says that more than two AP prints will never be made. These markings are located in two places. In the photo itself inside under the mount and identically also on the mount under the print.<\/p>\n\n\n\n

The size of the image is approx. 16 x 16 inches (40 x 40 cm), while the photo size is 10 x 10 inches.<\/p>\n\n\n\n

Do you like it? These Fine Art prints will be offered in limited editions in the number of only a few pieces not only for collectors.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Nejprve d\u016fle\u017eit\u00e1 ot\u00e1zka: pro\u010d by fotografie m\u011bly b\u00fdt zapaspartov\u00e1ny a dokonce zar\u00e1mov\u00e1ny? Odpov\u011b\u010f je jednoduch\u00e1: spr\u00e1vn\u00e1 technika mont\u00e1\u017ee chr\u00e1n\u00ed autorsk\u00e9 d\u00edlo p\u0159ed ne\u017e\u00e1douc\u00edmi vlivy okol\u00ed a prodlu\u017euje jeho \u017eivotnost. Dob\u0159e navr\u017een\u00e1 kombinace pasparty a r\u00e1mu je sou\u010d\u00e1st\u00ed po\u017eadovan\u00e9ho vizu\u00e1ln\u00edho p\u016fsoben\u00ed na div\u00e1ka.<\/p>\n\n\n\n

Vyti\u0161t\u011bn\u00e1 fotografie z tisk\u00e1rny pro m\u011b nen\u00ed kone\u010dn\u00fdm produktem. Obraz v paspart\u011b p\u016fsob\u00ed l\u00e9pe nejen zar\u00e1movan\u00fd na zdi, ale tak\u00e9 p\u0159i prohl\u00ed\u017een\u00ed p\u0159\u00edmo v rukou pozorovatele.<\/p>\n\n\n\n

O tom, jak jsme spole\u010dn\u011b s fotografem Petrem Pazourem<\/a> za\u010dali pronikat do taj\u016f paspartovac\u00edch technik, p\u00ed\u0161eme spole\u010dn\u011b na webu jin\u00e9ho projektu<\/a>. Dnes chci napsat n\u011bkolik \u0159\u00e1dk\u016f o tom, jak jsem se vypo\u0159\u00e1dal s paspartov\u00e1n\u00edm prvn\u00edch Artist Proof tisk\u016f vybran\u00fdch fotografi\u00ed z cyklu Krajiny imaginace<\/a>.<\/p>\n\n\n\n

Hlavn\u00edm c\u00edlem bylo pou\u017e\u00edt na cel\u00fd proces certifikovan\u00e9 muze\u00e1ln\u00ed materi\u00e1ly, kter\u00e9 jsou d\u00edky jejich slo\u017een\u00ed \u0161etrn\u00e9 k um\u011bleck\u00fdm d\u00edl\u016fm. Jsou vyrobeny z bavlny, nekysel\u00fdch pap\u00edr\u016f a lepidel. Jsou uzp\u016fsobeny tak, aby um\u011bleck\u00e9 d\u00edlo, kter\u00e9 dr\u017e\u00ed, nepo\u0161kodily.<\/p>\n\n\n\n

Tisk fotografi\u00ed je proveden na pap\u00edr Hahnem\u00fchle Photo Rag Ultra Smooth<\/a>. Je vyroben z 100% bavlny bez obsahu kyselin a ligninu. Vyhovuje norm\u011b ISO 9706, kter\u00e1 p\u0159esn\u011b definuje vlastnosti, kter\u00e9 mus\u00ed spl\u0148ovat pap\u00edr ur\u010den\u00fd pro dlouhodob\u00e9 ulo\u017een\u00ed v archivech. Vyti\u0161t\u011bno na tisk\u00e1rn\u011b Epson SureColor SC-P9500 inkousty UltraChrome PRO12.<\/p>\n\n\n\n

Na paspartu je pou\u017eit muze\u00e1ln\u00ed paspartovac\u00ed karton Nielsen Teichert MSK Natur<\/a> tlou\u0161\u0165ky 2,6 mm p\u0159\u00edrodn\u011b b\u00edl\u00e9 barvy. Pod paspartou je fotografie p\u0159ichycena pomoc\u00ed archivn\u00edch r\u016f\u017ek\u016f Lineco na zadn\u00ed karton muze\u00e1ln\u00ed kvality, tak\u00e9 od spole\u010dnosti Nielsen. Po kraj\u00edch mimo plochu fotografie je nakonec pasparta a zadn\u00ed deska spojena oboustrannou PH neutr\u00e1ln\u00ed lepic\u00ed p\u00e1skou Henzo. Toto \u0159e\u0161en\u00ed umo\u017e\u0148uje p\u0159\u00edpadn\u011b fotografii bez jak\u00e9hokoliv po\u0161kozen\u00ed z pasparty vyjmout.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Ka\u017ed\u00e1 fotografie je signov\u00e1na. V prav\u00e9m doln\u00edm rohu je podpis autora a rok vzniku, v lev\u00e9m doln\u00edm rohu pak ozna\u010den\u00ed AP I\/II<\/strong>. Znamen\u00e1 to, \u017ee se jedn\u00e1 o fotografii, kter\u00e1 slou\u017e\u00ed pro pot\u0159eby autora a nen\u00ed ur\u010dena k p\u0159\u00edm\u00e9mu prodeji (Artist Proof<\/a>, zkratka AP). Tisk m\u00e1 po\u0159adov\u00e9 \u010d\u00edslo jedna. Z\u00e1rove\u0148 je ozna\u010den\u00edm I\/II \u0159e\u010deno, \u017ee vzniknou maxim\u00e1ln\u011b dva AP tisky. Tato ozna\u010den\u00ed se nach\u00e1zej\u00ed na dvou m\u00edstech. Na samotn\u00e9 fotografii uvnit\u0159 pod paspartou a shodn\u011b tak\u00e9 zven\u010d\u00ed na paspart\u011b pod fotografi\u00ed.<\/p>\n\n\n\n

Rozm\u011br obrazu je 40 x 40 centimetr\u016f, p\u0159i\u010dem\u017e fotografie m\u00e1 rozm\u011br 25 x 25 centimetr\u016f.<\/p>\n\n\n\n

L\u00edb\u00ed se v\u00e1m? Tyto obrazy budou dostupn\u00e9 v limitovan\u00fdch edic\u00edch v po\u010dtu pouze n\u011bkolika m\u00e1lo kus\u016f nejen pro sb\u011bratelsk\u00e9 \u00fa\u010dely.<\/p>\n","protected":false},"excerpt":{"rendered":"

First of all, the important question: why photographs should be mounted and even framed? The answer is simple: the right mounting techniques protect art from …<\/p>\n","protected":false},"author":1,"featured_media":693,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[14],"tags":[],"class_list":["post-673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"\nMounting photos \/ Paspartov\u00e1n\u00ed fotografi\u00ed - Michal Hejna<\/title>\n<meta name=\"description\" content=\"Nejprve d\u016fle\u017eit\u00e1 ot\u00e1zka: pro\u010d by fotografie m\u011bly b\u00fdt zapaspartov\u00e1ny a dokonce zar\u00e1mov\u00e1ny? 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