{"id":488,"date":"2020-07-06T18:00:00","date_gmt":"2020-07-06T16:00:00","guid":{"rendered":"https:\/\/michalhejna.cz\/blog\/?p=488"},"modified":"2020-07-09T09:06:08","modified_gmt":"2020-07-09T07:06:08","slug":"simplification-zjednodusovani","status":"publish","type":"post","link":"https:\/\/michalhejna.cz\/blog\/2020\/07\/06\/simplification-zjednodusovani\/","title":{"rendered":"Simplification \/ Zjednodu\u0161ov\u00e1n\u00ed"},"content":{"rendered":"\n

Part One: There is a reality around us. We can see it with our eyes.<\/p>\n\n\n\n

Part Two: The creator of the future work of art (author, in our case a photographer) is in a specific place in this space and needs to express himself. Create a message for others. Here and Now.<\/p>\n\n\n\n

Part Three: The author uses a special device to preserve an image of the surrounding world into the light-sensitive layer of the selected medium. The artist can influence the form in which the image is initially preserved by the type of device and media. The content of the image is affected by the location of the shooting, the angle of view, and the shooting direction.<\/p>\n\n\n\n

Part Four: The author creates a final presentation of this message. The final form of future impact on the viewer. With the help of post-production, he can still partially influence the content. Anyway, he’s creating a form of the message right now!<\/p>\n\n\n\n

Part Five: The author or someone else presents the work to the audience. The message is consumed. Internet, personal meetings, e-mail, social networks, gallery, exhibition hall, street.<\/p>\n\n\n\n

Two principles<\/h3>\n\n\n\n

The painter is standing in front of an empty canvas and gradually ADDS<\/strong> more and more objects to his work. With or without connection with the reality around him.
The photographer is looking into the viewfinder of his camera and gradually REMOVES<\/strong> more and more objects from the picture. In connection with the reality around him.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Another landscape of imagination has just been found:<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Find the object of interest. Choose the right camera and lens. Find the optimal place – exclude all irrelevant things and give the remaining ones a composition limited only by the media format. Set the correct exposure values and other parameters. And then to press the shutter button.<\/p>\n\n\n\n


V\u00fdchodisko<\/h3>\n\n\n\n

D\u00edl prvn\u00ed: fotony (nebo co to vlastn\u011b l\u00edt\u00e1 kolem n\u00e1s) zp\u016fsobuj\u00ed, \u017ee na s\u00edtnici oka vn\u00edm\u00e1me na\u0161e okol\u00ed. Existuje tedy kolem n\u00e1s ur\u010dit\u00e1 realita.<\/p>\n\n\n\n

D\u00edl druh\u00fd: tv\u016frce budouc\u00edho v\u00fdtvarn\u00e9ho d\u00edla (neboli autor, v na\u0161em p\u0159\u00edpad\u011b fotograf) se nach\u00e1z\u00ed na konkr\u00e9tn\u00edm m\u00edst\u011b v tomto prostoru a m\u00e1 pot\u0159ebu se ur\u010dit\u00fdm zp\u016fsobem vyj\u00e1d\u0159it. Vytvo\u0159it sd\u011blen\u00ed, pomoc\u00ed kter\u00e9ho chce oslovit budouc\u00ed adres\u00e1ty sv\u00fdch pocit\u016f, n\u00e1lad a vid\u011bn\u00ed. Tady a te\u010f.<\/p>\n\n\n\n

D\u00edl t\u0159et\u00ed: autor pomoc\u00ed sn\u00edmac\u00edho za\u0159\u00edzen\u00ed zakonzervuje na sv\u011btlo-citlivou vrstvu vybran\u00e9ho m\u00e9dia obraz okoln\u00edho sv\u011bta. Fotony vytvo\u0159\u00ed dvourozm\u011brn\u00fd otisk skute\u010dnosti. Autor m\u016f\u017ee typem za\u0159\u00edzen\u00ed a m\u00e9dia ovlivnit formu, v jak\u00e9 se fotografie prvotn\u011b uchov\u00e1. Obsah ovliv\u0148uje p\u0159edev\u0161\u00edm v\u00fdb\u011br stanovi\u0161t\u011b, \u00fahel z\u00e1b\u011bru a sm\u011br sn\u00edm\u00e1n\u00ed.<\/p>\n\n\n\n

D\u00edl \u010dtvrt\u00fd: autor vytv\u00e1\u0159\u00ed prezentaci sd\u011blen\u00ed. Jak bude p\u016fsobit na div\u00e1ka. Pomoc\u00ed post-produkce m\u016f\u017ee je\u0161t\u011b \u010d\u00e1ste\u010dn\u011b ovlivnit i obsah. Z\u00e1sadn\u011b v\u0161ak ovliv\u0148uje a vytv\u00e1\u0159\u00ed formu sd\u011blen\u00ed!<\/p>\n\n\n\n

D\u00edl p\u00e1t\u00fd: autor nebo n\u011bkdo jin\u00fd p\u0159edkl\u00e1d\u00e1 d\u00edlo div\u00e1k\u016fm. Doch\u00e1z\u00ed ke konzumaci sd\u011blen\u00ed. Internet, osobn\u00ed setk\u00e1n\u00ed, dopis, e-mail, soci\u00e1ln\u00ed s\u00edt\u011b, galerie, v\u00fdstavn\u00ed s\u00ed\u0148, ulice.<\/p>\n\n\n\n

Dva principy<\/h3>\n\n\n\n

Mal\u00ed\u0159 stoj\u00ed p\u0159ed pr\u00e1zdn\u00fdm b\u00edl\u00fdm pl\u00e1tnem a postupn\u011b do sv\u00e9ho d\u00edla P\u0158ID\u00c1V\u00c1<\/strong> dal\u0161\u00ed a dal\u0161\u00ed objekty. Nez\u00e1visle na okoln\u00ed realit\u011b.
Fotograf se kouk\u00e1 do hled\u00e1\u010dku sv\u00e9ho fotoapar\u00e1tu a postupn\u011b ze sv\u00e9 fotografie UB\u00cdR\u00c1<\/strong> dal\u0161\u00ed a dal\u0161\u00ed objekty, kter\u00e9 ho obklopuj\u00ed.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Dal\u0161\u00ed krajina imaginace byla pr\u00e1v\u011b nalezena:<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Naj\u00edt si objekt z\u00e1jmu. Zvolit techniku \u2013 fotoapar\u00e1t, objektiv. Naj\u00edt si optim\u00e1ln\u00ed m\u00edsto \u2013 vylou\u010dit v\u0161echny nepodstatn\u00e9 v\u011bci a t\u011bm, kter\u00e9 zbyly, d\u00e1t kompozi\u010dn\u00ed \u0159\u00e1d omezen\u00fd pouze form\u00e1tem m\u00e9dia. Nastavit spr\u00e1vn\u00e9 hodnoty expozice a dal\u0161\u00edch parametr\u016f sn\u00edmku. A pak u\u017e sta\u010d\u00ed jen zm\u00e1\u010dknout spou\u0161\u0165.<\/p>\n\n\n\n

Jak \u0159\u00edk\u00e1 Josef Koudelka:<\/p>\n\n\n\n

Kompozice je to, co vid\u00edte. A to, co nevid\u00edte, ji d\u00e1v\u00e1 tu spr\u00e1vnou hodnotu.<\/p><\/blockquote>\n\n\n\n

Tohle v\u0161echno pro m\u011b znamen\u00e1 slovo „tvorba“.<\/p>\n","protected":false},"excerpt":{"rendered":"

The photographer is looking into the viewfinder of his camera and gradually REMOVES more and more objects from the picture \u2026<\/p>\n","protected":false},"author":1,"featured_media":776,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21],"tags":[19,20],"class_list":["post-488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-story","tag-abstract","tag-colour"],"yoast_head":"\nSimplification \/ Zjednodu\u0161ov\u00e1n\u00ed - Michal Hejna<\/title>\n<meta name=\"description\" content=\"The painter is standing in front of an empty white canvas and gradually adds more and more objects into his work. 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