{"id":3805,"date":"2021-09-23T18:00:00","date_gmt":"2021-09-23T16:00:00","guid":{"rendered":"https:\/\/michalhejna.cz\/blog\/?p=3805"},"modified":"2021-09-23T14:41:23","modified_gmt":"2021-09-23T12:41:23","slug":"cyanotype-part-four-kyanotypie-cast-ctvrta","status":"publish","type":"post","link":"https:\/\/michalhejna.cz\/blog\/2021\/09\/23\/cyanotype-part-four-kyanotypie-cast-ctvrta\/","title":{"rendered":"Cyanotype \u2013 part Four \/ Kyanotypie \u2013 \u010d\u00e1st \u010dtvrt\u00e1"},"content":{"rendered":"\n

Today we will walk through the city again. We leave out the details of the shop windows<\/a> and look around. Our attention is drawn to buildings. Different ages, building styles, the purpose of use, and conditions. Yes, our topic is architecture.<\/p>\n\n\n\n

When wandering around the city, I am mainly looking for relatively new objects. It is interesting to observe how sensitively the creators put their work into the surrounding environment. The glossy surfaces of modern materials often reflect the surroundings. Sometimes the buildings are symmetrical.<\/p>\n\n\n\n

I was wondering what this type of image would look like in monochrome blue conversion. I selected a few pictures from the archive. I focused mainly on symmetrical compositions.<\/p>\n\n\n\n

The theme of new buildings in connection with old photographic technology can seem like an anachronism. But the world is changing and time is passing. I am convinced that if someone sees these cyanotypes in the future, this architecture will also be a thing of the past and the form will merge with the content.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

V minul\u00e9m \u010dl\u00e1nku o kyanotypii jsem p\u0159edstavil jako prvn\u00ed uk\u00e1zku z cyklu v\u00fdloh<\/a>. Fotografie, jen\u017e deset let po sv\u00e9m vzniku dostaly nov\u00fd rozm\u011br d\u00edky zpracov\u00e1n\u00ed technikou kyanotypie. Dnes se spole\u010dn\u011b pod\u00edv\u00e1me na dal\u0161\u00ed motiv, kter\u00fd aktu\u00e1ln\u011b zkou\u0161\u00edm.<\/p>\n\n\n\n

Op\u011bt se budeme toulat po m\u011bst\u011b. Opust\u00edme v\u0161ak detaily v\u00fdloh a rozhl\u00e9dneme se po okol\u00ed ve v\u011bt\u0161\u00edm celku. Na\u0161i pozornost upoutaj\u00ed budovy. Rozli\u010dn\u00fdch velikost\u00ed, st\u00e1\u0159\u00ed, stavebn\u00edch styl\u016f, \u00fa\u010delu vyu\u017eit\u00ed i stavu. Jedn\u00edm slovem architektura.<\/p>\n\n\n\n

Definovat architekturu rozhodn\u011b nen\u00ed jednoduch\u00e9. M\u00e1 velk\u00e9 mno\u017estv\u00ed podob a v\u00fdznam\u016f. V \u0161ir\u0161\u00edm kontextu v\u011bt\u0161inou architekturu ch\u00e1peme jako schopnost \u010dlov\u011bka p\u0159etvo\u0159it m\u00edsto sv\u00e9ho \u017eit\u00ed k obrazu sv\u00e9mu. P\u0159itom nejde jen o funk\u010dnost a u\u017eitek, ale tak\u00e9 vlastnosti estetick\u00e9. P\u0159itom nen\u00ed podstatn\u00e9, jestli se jedn\u00e1 o panel\u00e1k nebo st\u0159edov\u011bkou katedr\u00e1lu. Ob\u011b stavby maj\u00ed krom\u011b historie i svou sou\u010dasnou funkci a vyvol\u00e1vaj\u00ed v n\u00e1s ur\u010dit\u00e9 emoce.<\/p>\n\n\n\n

P\u0159i toulk\u00e1ch m\u011bstem vyhled\u00e1v\u00e1m p\u0159edev\u0161\u00edm relativn\u011b nov\u00e9 objekty. Je zaj\u00edmav\u00e9 pozorovat, jak citliv\u011b tv\u016frci zasadili d\u00edlo do okoln\u00edho prost\u0159ed\u00ed. V leskl\u00fdch povr\u0161\u00edch modern\u00edch materi\u00e1l\u016f se \u010dasto zrcadl\u00ed okol\u00ed. N\u011bkdy stavby b\u00fdvaj\u00ed symetrick\u00e9, co\u017e umoc\u0148uje grafick\u00e9 vyzn\u011bn\u00ed obrazu.<\/p>\n\n\n\n

Zaj\u00edmalo m\u011b, jak tento typ sn\u00edmk\u016f bude vypadat v monochromatick\u00e9m modr\u00e9m p\u0159evodu. Pro za\u010d\u00e1tek jsem vybral n\u011bkolik sn\u00edmk\u016f z archivu. Zam\u011b\u0159il jsem se pr\u00e1v\u011b na symetrick\u00e9 kompozice.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

T\u00e9ma nov\u00fdch staveb ve spojitosti se starou fotografickou technikou m\u016f\u017ee na prvn\u00ed pohled p\u016fsobit jako ur\u010dit\u00fd anachronismus, \u010dili um\u00edst\u011bn\u00ed n\u011bjak\u00e9 v\u011bci, p\u0159edstavy nebo jevu do jin\u00e9 doby ne\u017e t\u00e9, kam skute\u010dn\u011b pat\u0159\u00ed (z \u0159eck\u00e9ho ana<\/em> \u2013 proti a chronos<\/em> \u2013 \u010das).<\/p>\n\n\n\n

Ale \u010das plyne a sv\u011bt se m\u011bn\u00ed. Jsem p\u0159esv\u011bd\u010den, \u017ee pokud tyto kyanotypie spat\u0159\u00ed n\u011bkdo t\u0159eba za sto a v\u00edce let, bude i zobrazen\u00e1 architektura pat\u0159it do d\u00e1vn\u00e9 minulosti a forma splyne nen\u00e1siln\u011b s obsahem.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Jak na v\u00e1s p\u016fsob\u00ed spojen\u00ed modern\u00edch staveb se starod\u00e1vnou fotografickou technikou? Napi\u0161te mi va\u0161e n\u00e1zory do koment\u00e1\u0159\u016f pod \u010dl\u00e1nkem.<\/p>\n\n\n\n

T\u00edmto d\u011bkuji Petrovi Pazourovi<\/a> spolu s grafick\u00fdm studiem Pikitia<\/a> za skv\u011bl\u00e9 z\u00e1zem\u00ed p\u0159i kyanotypick\u00fdch seanc\u00edch.<\/p>\n","protected":false},"excerpt":{"rendered":"

When wandering around the city, I am mainly looking for relatively new objects. It is interesting to observe how sensitively the creators put their work into the surrounding environment …<\/p>\n","protected":false},"author":1,"featured_media":3814,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21],"tags":[43],"class_list":["post-3805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-story","tag-cyanotype"],"yoast_head":"\nCyanotype \u2013 part Four \/ Kyanotypie \u2013 \u010d\u00e1st \u010dtvrt\u00e1 - Michal Hejna<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/michalhejna.cz\/blog\/2021\/09\/23\/cyanotype-part-four-kyanotypie-cast-ctvrta\/\" \/>\n<meta property=\"og:locale\" content=\"cs_CZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cyanotype \u2013 part Four \/ Kyanotypie \u2013 \u010d\u00e1st \u010dtvrt\u00e1 - Michal Hejna\" \/>\n<meta property=\"og:description\" content=\"When wandering around the city, I am mainly looking for relatively new objects. 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