{"id":1041,"date":"2020-07-25T18:00:00","date_gmt":"2020-07-25T16:00:00","guid":{"rendered":"https:\/\/michalhejna.cz\/blog\/?p=1041"},"modified":"2020-07-28T08:48:59","modified_gmt":"2020-07-28T06:48:59","slug":"blur-and-photography-neostrost-ve-fotografii","status":"publish","type":"post","link":"https:\/\/michalhejna.cz\/blog\/2020\/07\/25\/blur-and-photography-neostrost-ve-fotografii\/","title":{"rendered":"Blur and photography \/ Neostrost ve fotografii"},"content":{"rendered":"\n

To capture as much detail as possible and faithfully document reality. From the beginning of photography discipline its main mission. Photography has replaced painting in this functionality.<\/p>\n\n\n\n

When, at the end of the 19th century, pictorialists began to use blurring to achieve their visions, they were attacked by traditional photographers for going against the basic meaning of photography. They did not understand that photography at that moment began to be the medium it is to this day. Photography was divided into document and art.<\/p>\n\n\n\n

One of the means of expression I use in my work is blur. The phrase „blurry photo“ is usually understood as a sticker of a poor image. In fine art photography, however, it is an intention. But we should always know what we want to express by blurring.<\/p>\n\n\n\n

For me, this particular set of six photographs symbolizes the endless flow of time, when space is left for imagination in the photographs. The observer is faced with the question of what reality was. Traces of spot lights somewhere arouse a certain tension between „sharp and blur“.<\/p>\n\n\n\n

I wanted to portray the city with a ghostly, dreamy impression, where more than a description, it is a psychological effect on the viewer. Judge for yourself how well I managed.<\/p>\n\n\n\n

The city in the middle of winter. Short days in January, when dusk comes early. I walk home alone through abandoned streets. A slow shutter speed slowly collects the remaining light on the photosensitive medium. Movement as a natural part of living. Walks home<\/a>.<\/p><\/blockquote>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Zachytit co nejv\u00edce podrobnost\u00ed, v\u011brn\u011b dokumentovat realitu. Od po\u010d\u00e1tk\u016f fotografie jej\u00ed z\u00e1kladn\u00ed posl\u00e1n\u00ed. V tom m\u011bla nahradit a tak\u00e9 nahradila mal\u00ed\u0159stv\u00ed.<\/p>\n\n\n\n

Kdy\u017e na konci 19. stolet\u00ed piktorialist\u00e9 za\u010dali pomoc\u00ed u\u0161lechtil\u00fdch tisk\u016f z\u00e1m\u011brn\u011b vyu\u017e\u00edvat neostrosti pro dosa\u017een\u00ed sv\u00fdch viz\u00ed, byli napad\u00e1ni tradi\u010dn\u00edmi fotografy za to, \u017ee jdou proti smyslu fotografie. \u0160karohl\u00eddov\u00e9 nepochopili, \u017ee fotografie od toho okam\u017eiku za\u010dala b\u00fdt t\u00edm m\u00e9diem, kter\u00fdm je dodnes. Rozd\u011blila se na fotografii dokument\u00e1rn\u00ed, kter\u00e1 slou\u017e\u00ed lidem v jejich pot\u0159eb\u011b zachycovat realitu a ud\u00e1losti, a na fotografii v\u00fdtvarnou, kter\u00e1 m\u00e1 za c\u00edl vzbuzovat emoce.<\/p>\n\n\n\n

Jedn\u00edm z v\u00fdrazov\u00fdch prost\u0159edk\u016f, kter\u00fd pou\u017e\u00edv\u00e1m p\u0159i sv\u00e9 tvorb\u011b, je neostrost. Slovn\u00ed spojen\u00ed \u201eneostr\u00e1 fotka\u201c b\u00fdv\u00e1 v\u011bt\u0161inou ch\u00e1p\u00e1no jako n\u00e1lepka nekvalitn\u00edho, nepoveden\u00e9ho sn\u00edmku. Ve v\u00fdtvarn\u00e9 fotografii v\u0161ak jde p\u0159edev\u0161\u00edm a pr\u00e1v\u011b o z\u00e1m\u011br, o specifick\u00fd v\u00fdrazov\u00fd prost\u0159edek. Vyu\u017e\u00edv\u00e1n\u00ed neostrosti ve fotografii je jedna z nejsiln\u011bj\u0161\u00edch stylizac\u00ed fotografick\u00e9ho obrazu. V\u017edy bychom ale m\u011bli p\u0159esn\u011b v\u011bd\u011bt, co chceme zneost\u0159en\u00edm vyj\u00e1d\u0159it.<\/p>\n\n\n\n

Pro m\u011b jde v tomto konkr\u00e9tn\u00edm souboru \u0161esti fotografi\u00ed o symbol nep\u0159etr\u017eit\u00e9ho plynut\u00ed \u010dasu, kdy je v obraze ponech\u00e1n prostor pro p\u0159edstavivost. Pozorovatel stoj\u00ed p\u0159ed ot\u00e1zkou, co bylo p\u0159edlohou. Stopy bodov\u00fdch sv\u011btel na n\u011bkter\u00fdch sn\u00edmc\u00edch nav\u00edc vzbuzuj\u00ed ur\u010dit\u00e9 nap\u011bt\u00ed mezi \u201eostr\u00fdm a neostr\u00fdm\u201c.<\/p>\n\n\n\n

Cht\u011bl jsem m\u011bstskou vedutu zobrazit p\u0159\u00edzra\u010dn\u00fdm, snov\u00fdm dojmem, kde v\u00edce ne\u017e o popis jde o psychologick\u00e9 p\u016fsoben\u00ed na div\u00e1ka. Posu\u010fte sami, nakolik se mi to poda\u0159ilo.<\/p>\n\n\n\n

M\u011bsto uprost\u0159ed zimy. Kr\u00e1tk\u00e9 mraziv\u00e9 lednov\u00e9 dny, kdy soumrak p\u0159ich\u00e1z\u00ed ne\u010dekan\u011b brzy. Vrac\u00edv\u00e1m se dom\u016f s\u00e1m opu\u0161t\u011bn\u00fdmi ulicemi. Dlouh\u00fd \u010das sn\u00edm\u00e1n\u00ed s kamerou v zimou chv\u011bj\u00edc\u00edch se dlan\u00edch pomalu sb\u00edr\u00e1 posledn\u00ed zbytky sv\u011btla na citliv\u00e9 vrstv\u011b fotografick\u00e9ho m\u00e9dia. Pohyb jako p\u0159irozen\u00e1 sou\u010d\u00e1st \u017eivota. Tolik vysv\u011btlen\u00ed m\u00e9ho cyklu Cesty dom\u016f<\/a>.<\/p><\/blockquote>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

The city in the middle of winter. Short days in January, when dusk comes early. I walk home alone through abandoned streets …<\/p>\n","protected":false},"author":1,"featured_media":980,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[21],"tags":[19,20,24],"class_list":["post-1041","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-story","tag-abstract","tag-colour","tag-portfolio"],"yoast_head":"\nBlur and photography \/ Neostrost ve fotografii - Michal Hejna<\/title>\n<meta name=\"description\" content=\"The city in the middle of winter. Short days in January, when dusk comes early. I walk home alone through abandoned streets. A slow shutter speed slowly collects the remaining light on the photosensitive medium. 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